Returning to Rome, where they were earlier this year, American stars Zoë Kravitz and Harry Styles took a stroll around the Italian cobblestone streets while wearing two different styles of relaxed fall pieces. They went hand in hand, matching each other’s pace and mood.

Kravitz opted for cream-coloured loose straight-leg jeans from her go-to label, The Row. She had a dark grey jacket with structured shoulders over the trousers, while her outer layer was a light grey coat with wide sleeves and a boxy shape.

Zoë Kravitz and Harry Styles in their matching outfits — Instagram

Holding Harry’s hand, Kravitz added a black scarf tied under her chin, sunglasses, a leather tote bag, and black loafers with a suede detailing. The American actress had no visible jewellery, giving her entire outfit a minimalist feel.

Styles was beside her in a relaxed-fit beige trench coat that almost reached his ankle; underneath, he wore a black round-neck sweater.

Zoë Kravitz and Harry Styles Fashion Couple — Instagram

His trousers were black and loose.  He wore a dark beanie and he wore sunglasses, he paired the look with white sneakers, and a yellow David Hockney tote bag slung over his shoulders for added contrast to both of their neutral silhouettes. Styles’ look was a casual street style.

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Tuesday night at the 2025 Glamour Women of the Year Awards, honourees and special guests walked the red carpet at The Plaza Hotel in New York City.

There were plenty of standout designer looks at the event, with appearances from celebrities like Demi Moore and Tyla. Alex Perry designs, antique Dior items, and looks from Balenciaga’s spring 2026 ready-to-wear collection were present on the carpet.

Demi Moore

Demi Moore at 2025 Glamour Women of the Year Awards on Nov 4th — STEPHANIE AUGELLO

Moore drew inspiration for her look from Balenciaga’s spring 2026 collection, showcasing a piece from the debut collection of the Spanish luxury fashion house’s creative director, Pierpaolo Piccioli. The strapless design had layered detailing at the hemline of the bodice, an exaggerated shape, and a rounded neckline. Tapered black trousers complemented the white opera gloves for a sophisticated look. The Oscar-nominated actress from “The Substance” was styled by Brad Goreski; Rokael Lizama handled her makeup and Dimitris Glannetos styled her hair.

Tyla

Tyla at 2025 Glamour Women of the Year Awards on Nov 4th — STEPHANIE AUGELLO

Tyla wore one of John Galliano’s creations from Dior’s 1998 spring season. Green and silver metallic finishes were used throughout the shift dress to create contrasting textures. Vintage Heritage, a company based in New York City that sources archival designer pieces from the runway, supplied Tyla’s dress. She completed the look with pieces from Danish jeweller Pandora. Ron Hartleben styled Tyla while her makeup was done by Jimmy Stam.

Brooks Nader

Brooks Nadar  at 2025 Glamour Women of the Year Awards on Nov 4th — STEPHANIE AUGELLO

Brooks Nader’s red gown evoked old-school glitz. The model was dressed in a voluminous skirt and a fitted bodice in a strapless dress with a sweetheart neckline.

Rachael Zegler

Rachael Zegler at 2025 Glamour Women of the Year Awards on Nov. 4 — STEPHANIE AUGELLO

In a striking yellow Alex Perry design, Rachel Zegler added a pop of colour to the red carpet. The “West Side Story” breakout star graced the red carpet in a strapless dress with a sweeping train. She accessorised the shimmering gown with Stuart Weitzman heels and Chopard jewellery.

Morgan Riddle

Morgan Riddle at 2025 Glamour Women of the Year Awards on Nov. 4 — STEPHANIE AUGELLO

Morgan Riddle chose a black dress with gold hardware details. The social media personality donned a sleeveless maxidress with a short train, a high neckline, and a thigh-high slit. Riddle paired the dress with black strappy heels.

Glamour’s 2025 Women of the Year Awards celebrated women from all fields and backgrounds for outstanding contributions to sports, politics, society, and other areas throughout the past 12 months. The 2025 award winners included Tyla, Rachel Zegler, Demi Moore, and Ms. Rachel.

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Kim Kardashian has turned the All’s Fair press tour into a study fashion narrative. On October 22, she launched the tour in Paris in an exquisite baby-blue satin gown from John Galliano’s Spring/Summer 2000 collection for Dior. It was a vintage couture piece with a fluid metallic sheen.

The design combined nostalgia and power through its sculpted peplum waist, deep neckline, and soft train.  The gown mirrored the character traits of Allura Grant romantic, self-possessed, and unforgettable.

Kim in 2000 Galliano and Dior — Instagram

Two days later, on October 24, Kim was regal. For her London appearance, she wore a black leather corset dress with snakeskin patterns by Dilara Findikoglu, her neck down to her breast were covered in bold chains, for this look, she wore no earring, she completed the look in a pair of leather boots. The edgy, sophisticated outfit, once worn by Naomi Campbell, radiated confidence and danger, a darker part of the movie’s central theme: that power always has a price. The outfit felt like Allura allure moving from the courtroom to the battlefield.

Kim in Dilara Findikoglu — Instagram

By early November, Kardashian shared a carousel of “Press Tour Looks” on Instagram, a curated gallery of couture pieces, each of these reinforced her belief that it is possible to push boundaries creatively since becoming Allura Grant: strength wrapped in elegance, control disguised as charm.  As she previously said in an interview when discussing the role, “I think me starting a new challenge and something that I want to try in my 40s is maybe inspiring to someone.”  Together, the looks formed a visual narrative of ambition and reinvention.

Kim photo carousel — Instagram

Across these appearances, Kim didn’t just wear clothes, she became them. The All’s Fair press tour has become her runway, where fashion and fiction converge. From Galliano’s archival grace to Findikoglu’s modern rebellion, Kardashian proves that in both style and story, she knows exactly how to own the narrative.

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